![]() ![]() ![]() in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The use of general descriptive names, registered names, trademarks, service marks, etc. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Sarah Whatley Editors Error, Ambiguity, and Creativity A Multidisciplinary Reader Editors Sita Popat University of Leeds Leeds, UK Sarah Whatley Centre for Dance Research Coventry University Coventry, UK ISBN 978-4-8 ISBN 978-5-5 (eBook) © The Editor(s) (if applicable) and The Author(s) 2020 This work is subject to copyright. ![]() Sarah Whatley Error, Ambiguity, and Creativity Sita Popat.Pages 241-247 Citation previewĮrror, Ambiguity, and Creativity A Multidisciplinary Reader Edited by Sita Popat Pages i-xviii Introduction (Sarah Whatley).Pages 1-8 Creative Thought-Spaces Nested in Ambiguity (Efva Lilja).Pages 9-20 Tactical Ambiguity: Materiality, Representation and Interaction in Evan Meaney’s Glitched Portraits (Vendela Grundell Gachoud).Pages 21-41 Ambiguity in Psychology (Jon May).Pages 43-62 Art of the Accident (Ruth Gibson, Bruno Martelli).Pages 63-84 Beyond Error: Philosophy of Indeterminacy in the Age of Algorithms (Jaime del Val).Pages 85-106 ‘Queer, Wonderful Misunderstandings’: Catachresis as Aesthetic in Contemporary Poetry (Callie Gardner).Pages 107-125 Medical Error: A Misnomer? (Rory O’Connor).Pages 127-136 On Counter-Mapping and Media-Flânerie: Artistic Strategies in the Age of Google Earth, Google Maps and Google Street View (Emilio Vavarella).Pages 137-166 Perhaps This Cannot Be Anything (on Exercises in Text Production and Critical Typography, Which Make Use of Machine-Made Errors in Processes of Visual and Semantic Translation) (Paul Wilson).Pages 167-186 Error as Music Composition: Human and Material Agencies (Scott McLaughlin).Pages 187-210 Crashing Creatively: Trial and Error in the Hip Hop Battle (Sherril Dodds).Pages 211-233 Written in Error: Definitions and Methods for Interdisciplinary and Multidisciplinary Research (Sarah Whatley).Pages 235-240 Back Matter. ![]()
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